Sketches include “30th Birthday Party”, “Castaways”, “Master Thespian”, “Still Sweeneys”, “Subway”, “Pumping Up With Hans & Franz”, “Succinctly Speaking”, “Season’s Greetings”, “Texas Diner”, and “Speech To The Future”. Linda Ronstadt performs “Los Laureles” and “La Cigarra” with The Mariachi Vargas de Tecalitlán, and “Under African Skies” with Paul Simon.

Sketches include “Earpiece”, “Ticket Line”, “Hamlet”, “New York Word Exchange”, “Baycrest Jewish Retirement Home”, “And So Adieu”, “Translator” and “Automobile Club of America”. Paul Simon performs “Diamonds on the Soles of her Shoes” (with Ladysmith Black Mambazo), “The Boy In The Bubble”, and “The Late Great Johnny Ace”.

Sketches include “Geraldo Rivera Opens The Tomb Of The Unknown Soldier”, “Guys Behind Bars”, “The Late Show with Joan Rivers”, “The Limits of the Imagination”, “Dirk Landers”, “Beverly Hills Liar”, “Brim Decaffeinated”, and “A Mother’s Day Message”. Paul Simon performs “You Can Call Me Al”, “Homeless” with Ladysmith Black Mambazo, and “Graceland”. Penn & Teller also appear.

Lorne Michaels stepped away from Saturday Night Live after the show’s fifth season, and his creation was kept alive by other producers, writers and actors for the next five years; when he returned to the show in 1985, he had a whole new cast, but many of the behind-the-scenes personnel were those who had been associated with his original five year tenure, and there were a handful of additions that would shape the show’s tone and look for years to come. Because the Jean Doumanian and Dick Ebersol eras each had their own specific directions and mostly unique personnel. one wonders what the show would have been like if Michaels had stuck around during that time. There are a few hints of what a Michaels-helmed SNL would have looked like in two of his TV productions during that period: Steve Martin’s Best Show Ever, a special Martin did for NBC in November 1981, and The New Show, Michaels’ ill-fated return to weekly network television