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My self-imposed hiatus from posting SNL reviews will be ending in the near future; I won't guarantee a return date, but once I'm back you should be seeing a new review on a semi-regular schedule. The next review will be of the Don Rickles / Billy Idol show, and I commit to completing the remaining reviews of the 1983-84 and 1984-85 seasons.

I have access to original broadcasts of many of these shows, although my copy of the original airing Rickles is incomplete (no second Billy Idol performance, Letterman promo or goodnights); I do have a complete repeat version, though, and a reader has graciously provided a transcript and captures of the Letterman promo. While I'm not missing any of these shows, there are a few original broadcasts I'm still looking for. As usual, any episode where I have an edited repeat version will be done with my existing copy of the show, and will be altered/corrected accordingly if I get an original broadcast.

I'm debating what to do after I wrap up the Ebersol years. It would be fun to continue with 1985-86, although the reruns after Lorne Michaels' return have a fair bit more post-production done to them, and to track specific changes to shows may take more time and effort than I'd be willing to put in (not to mention the number of gaps I still have in my original broadcast collection). I still think there needs to be more to this blog than SNL reviews, but they're what my readers come for, and I like having the excuse to talk about the show.

Finally, I want to thank Kevin Kelton, Nate Herman and Gary Kroeger for their invaluable background info on the previous ten shows.

Another thought on SNL rerun edits

I had written before about how the repeats of Saturday Night Live are different from the live shows before (in an earlier blog post as well as a piece for Splitsider.com about segments cut from reruns), but one thing I've been thinking about lately is how there really isn't any detailed information in the major SNL episode guides about the repeat-only segments, although sometimes there would be information added to the trivia section of the TV.com listings.  

Part of it is that some of these bits are so rare and unaccounted for (such as Gilda Radner's segment in Aviva Slesin's "First Love" series), and part of it is that if you're going to compile a list of those segments, you might as well compile a list of the segments that have major changes between live broadcast and rerun, including dress rehearsal substitutions and fixed errors.  The amount of effort that would go into it wouldn't really be worth it, unless I were actually getting paid to do this (and you know Broadway Video / SNL Studios must have all this information on a private file somewhere).  It still seems like an interesting project, though.

Here are but two examples of the many dress rehearsal changes that have become the "official" version of segments in reruns, syndication or streaming.  Both come from the heavily edited 1985-86 season, which is notable in itself for the amount of technical issues fixed and canned laughter added in the rebroadcast versions.

"You Can Call Me Al" (Catherine Oxenberg, Paul Simon / Ladysmith Black Mambazo, 05/10/86)
The dress rehearsal take can be quickly differentiated from the live version by the color of Paul's shirt (pink in dress, blue in live), but the performances themselves turned out quite different.  The dress rehearsal version is pretty straightforward: Paul sings the song, then introduces himself before delivering the "Live from New York" (which is a slight variant on the usual line this time around).  The live show version is somewhat of a disaster: part of the problem is that the audience gives Paul an extended burst of applause at the very beginning, which delays his cue to start singing.  All through the first verse, Paul struggles to keep up with the music (a backing track that the musicians are miming to) and gives up part of the lyric so he can sing the chorus in time.  He seems a little thrown all through the song, but another big gaffe happens later when the director cuts to the SNL band after the "palindromic bass solo": the horn line begins but one of the players obviously doesn't have his instrument at his mouth.

The Cliffhanger (Anjelica Huston, Billy Martin / George Clinton & the Parliament-Funkadelic, 05/24/86)
The season finale of the troubled 1985-86 season had a runner where the devil (Jon Lovitz in a cheap Halloween costume) gets Billy Martin to fall off the wagon during the show, which leads to his inevitable "firing" as host.  This plotline culminates in the final segment of the show: instead of going straight to home base with the hosts, guests and cast waving goodbye, the cast congregates in the locker room to congratulate themselves on the season, before it cuts to Billy pouring gasoline just outside to light the whole place on fire.  The green-screened fire effect is marred somewhat in the live show by a visible folding chair in the flames, and Lorne Michaels doesn't look at the camera when he delivers the "they won't be able to do the show next year line".  The biggest difference is in the part where Martin joins Anjelica Huston and George Clinton at home base for the goodnights: when Anjelica asks where Billy is, her question is interrupted by a still mic'd Billy's very loud footsteps running; Anjelica laughs and does a slashy "cut" motion with her hand, and they don't do their dialogue for the closing.  The rerun also has a visible edit during the end sequence with the cast in the smoke-filled locker room (removing Anthony Michael Hall yelling for help in an exaggerated way).

SNL: Live vs. Rerun

There are a number of reasons why I'm a SNL fan, including an appreciation for sketch comedy in general as well as the massive cultural impact the show has had over the past 35 years.  It can be hit or miss, and some seasons are definitely more 'miss' than 'hit', but when the show is running at its peak in terms of cast, writing, and cultural relevance, it's really something.

One thing about the show that fascinates me is that a rerun of a show that plays either on the network or on cable may not necessarily be the same thing that aired from 11:30 pm to 1:00 am ET the night of the original show.   When I was building up my collection I noticed that the sketch rundowns of the shows I taped off the Comedy Network didn't quite match the order listed on the episode guide; sketches would often be shuffled around and, on occasion, something would be dropped in favour of either a sketch from another show or material that never made it to a live broadcast.   On these shows you could see a disclaimer run at the very beginning:

Most of the reruns I taped were pretty representative of the original show that aired, but when it turned out there was a big omission in the rerun, it could get pretty annoying.  There are still a few holes in my collection that I haven't been able to fill just because rerun versions of SNL are so much easier to come by than original airings: by default, any episode aired after the live air date is the rerun version unless none exists (usually the weak and controversial shows would fall into this category).  

Older reruns sometimes substituted bits for segments from other shows: a lot of material added to a rerun also appeared in a show without the rerun disclaimer; if a show without a disclaimer turned up in the rerun package, it usually meant the show was not repeated on NBC.  Later reruns were a little more unusual in that the content that replaced what was cut didn't seem to be from any other episode.  Sometimes it would be a live sketch done in the studio with the same host and cast, sometimes it would be a short film or commercial.  One of these bits was actually the Roberto Benigni segment of Jim Jarmusch's "Coffee and Cigarettes".

The reruns from the last 25 years or so (from the point where Lorne Michaels returned to the show after his five-year hiatus) have some more subtle changes.   Fans with sharper eyes and ears than mine had mentioned in various places online how the reruns sometimes replaced sketches from the live shows with performances from dress rehearsal.  The differences were usually very minor, not really noticeable unless you made a point to look for them or if they made the change to remove something offensive.  I did notice, though, the clock on the main stage with no other purpose but to show the time in the studio would sometimes visibly show it was a point earlier during the evening during monologues and musical guest introductions. 

From what I guess, the strategy is to make the best possible rerun: if something went better in dress, then that's what they'll use.  As well, because a new episode of SNL is live, it's more prone to technical screw-ups, miscues, and awkward "dead seconds"; reruns give a chance to fix some of that.  The audio is also remixed a bit for the rerun, which often includes a faint bit of 'sweetening' to the audience response (just a few extra laughs mixed in).

I'd heard of all these things from different sources and noticed a few things here and there when I watched reruns of shows I'd seen when they aired live, but it didn't come together until the night I finally saw a recording of the live broadcast of the first show of 1985-86 hosted by Madonna.   This episode is probably the most extensively edited SNL rerun; the most well-known change being that reruns remove the cold opening about Brandon Tartikoff getting urine samples from the cast for drug testing, giving the impression that the show just went straight into the opening montage.  Other changes include a second Simple Minds musical performance added to the later part of the show, the replacement of the original Sarah Charlesworth "collage" opening montage with the filmed "limo ride" used from the fifth show of the season on (as well as all bumpers to keep consistent), dead seconds removed, hot mics were fixed, the Weekend Update title card was changed to the one used for the rest of the season, and Don Pardo's line "Two Junkies be located..." in a commercial parody was removed (probably for the same reason the drug testing had to be taken out).

The thing about that live show that really brought everything together for me was the opening seconds of the Weekend Update segment: usually, when the bit starts and Pardo announces "Weekend Update with Dennis Miller", the audience cheers and applauds.  On this first show there is no response whatsoever.  Miller actually sarcastically quips, "Thank you, Don Pardo, for whipping them up into a frenzy".  I didn't remember the audience being dead when I saw the episode before so I checked my recording from Classic SNL, and sure enough, there were cheers and applause (and Miller's comment was left in, dethorned by the editing).   It became clear to me how much of a do-over the rerun really is. 

What's better?  The rerun version seems to be the final product judging by how prevalent these are in SNL packages and how much is done to ensure these are the strongest product.  But part of the show's title is that it's live: it's still live in a sense that the sketches were performed in front of a studio audience, but a lot of what's done to the rerun is essentially cheating.  Part of the appeal of watching the live broadcast is that anything can happen.  Something may not go right.  Actors may break character.  Somebody might drop a "shit" or "fuck" or tear up a picture of the Pope.  You lose the unexpected aspect with a rerun anyway, but the extra editing only takes it further away from being "live".