When the Writer’s Guild of America went on strike in March 1988, the Winter Olympics had just finished, both the Republican and Democratic primaries were underway, and Saturday Night Live was in the middle of its 13th season. Despite the anticlimactic finish to the year (Judge Reinhold / 10,000 Maniacs), the show was continuing its resurgence.

By the summer of 1987, Saturday Night Live had survived leadership changes, cast and writer turnover, and the threat of cancellation several times over; for the first time in years, the show was in a period of stability. New performers such as Dana Carvey, Jan Hooks and Phil Hartman quickly made their mark with characters such as the Church Lady and the Sweeney Sisters, and the writing had noticeably improved, with a renewed emphasis on political satire. It would make sense that the new season would look very similar to the last.

Sketches include “Contract”, “New York Telephone”, “One Night Stand”, “Donahue”, “Nick Slammer”, “It’s A Girl”, “Il Returno De Hercules”, “Tough Parents” and “Taxi”. Percy Sledge performs “When A Man Loves A Woman”.

Sketches include “Stumblebums Anonymous”, “Couch Cushions”, “The Devil & Ed Grimley”, “A Christmas Wish”, “Mastermind”, “The Eggshell Family”, “The Pat Stevens Show”, “Church Potluck Luncheon”, and “Halsey & Roarke: British Customs”. Randy Newman performs “Longest Night” and “Roll With The Punches”.

Lorne Michaels’s first year back at Saturday Night Live after a five-year hiatus wasn’t what you would call a success. While the writing staff included a mix of SNL veterans and unknowns that would soon establish themselves on the show, the new cast (which included movie stars Anthony Michael Hall and Randy Quaid) never quite clicked, and the ratings and reviews were less than favorable. The show was on the brink of cancellation that spring, but NBC president Brandon Tartikoff decided to give Michaels and SNL another chance.

Sketches included “Backstage”, “John Cougar Mellencamp’s Looking At America”, “The Pat Stevens Show”, “Cabrini Green”, “The Wart Hog”, “I Play The Maids”, “Actors On Film”, “Craig Sundberg, Idiot Savant”, “The Cute Shop”, and “One-Shoe Emma”. Joe Jackson performs “Right and Wrong” and “Soul Kiss”.

Sketches include “Pep Talk”, “The Honeymooners: The Lost Episodes”, “Commercials”, “Mystery Playhouse”, “That Black Girl”, “Whale”, “Actors”, “Ghost of Thespians Past”, “Vietnam Sketch”, “Suitcase Boy” and “Finale”. Philip Glass and the Philip Glass Ensemble perform “Lightning” and “Rubric”.

Lorne Michaels stepped away from Saturday Night Live after the show’s fifth season, and his creation was kept alive by other producers, writers and actors for the next five years; when he returned to the show in 1985, he had a whole new cast, but many of the behind-the-scenes personnel were those who had been associated with his original five year tenure, and there were a handful of additions that would shape the show’s tone and look for years to come. Because the Jean Doumanian and Dick Ebersol eras each had their own specific directions and mostly unique personnel. one wonders what the show would have been like if Michaels had stuck around during that time. There are a few hints of what a Michaels-helmed SNL would have looked like in two of his TV productions during that period: Steve Martin’s Best Show Ever, a special Martin did for NBC in November 1981, and The New Show, Michaels’ ill-fated return to weekly network television

In four seasons, executive producer Dick Ebersol had brought Saturday Night Live back from the cancellation, had the hottest comedian in America in the cast, and oversaw its transition from a live incubator of new comic talent to an increasingly prerecorded showcase for established comedians. By 1985, though, Ebersol found himself tired of the show’s grueling schedule, and, after toying with staying with a mostly-prerecorded version of the show that wouldn’t premiere until the next January, decided to step away. Brandon Tartikoff, president of NBC Entertainment, had to consider his options, and fast.

After Brooks Wheelan, Noel Wells and John Milhiser were fired from Saturday Night Live last July, I wrote a particularly visceral piece blasting Lorne Michaels and company for only making cosmetic changes to the show's makeup instead of trying to fix SNL's deep-seated problems in the writing department. The 2013-2014 season was not very good; and was the first year where I was deliberately skipping episodes. Of course, my curiosity got the better of me after checking out the fan reaction on the SNL message boards (which, admittedly, are not the kindest to the cast and writers either), but there were very few shows that felt worth the time investment of watching live. Despite talk from producers that this year would reflect some lessons learned, the big issues with last year weren't resolved at all: the show's problems only seemed to entrench themselves further. 

Brooks Wheelan, Noel Wells and John Milheiser have all been fired from Saturday Night Live last week.  That’s one half of the cohort of featured players brought in at the beginning of the 2013-14 season.  Despite trumpeting their collective SNL debut in the season premiere with two sketches devoted to the new hires, it felt like the show lost faith in them by the end of November...